This study has shown that the visual responses to the Holocaust that have been discussed
Becoming Universal Part 4: In what ways do the paintings discussed contribute to the emergence of the metanarrative of the Holocaust?
1. Marc Chagall’s symbolic use of Christian iconography. The previous two chapters have explored the
Becoming Universal Part 2: How does Apocalypse en Lilas, Capriccio (1945-1947) engage with the contemporary metanarrative of the Holocaust?
Known as the quintessential Jewish artist of the twentieth century, Russian-French artist Marc
Becoming Universal Part 3: In what days does the Nous Ne Sommes Pas le Derniers series (1970-1990) engage with the contemporary metanarrative of the Holocaust?
By the time Zoran Mušič was working on his series in the 1970s, a shift
Upon entering the term ‘Holocaust’ into Google in May 2020 the reader will