This study has shown that the visual responses to the Holocaust that have been discussed are by no means purely mimetic or testimonial, aspects which
Becoming Universal Part 4: In what ways do the paintings discussed contribute to the emergence of the metanarrative of the Holocaust?
1. Marc Chagall’s symbolic use of Christian iconography. The previous two chapters have explored the ways in which these paintings challenge and reflect the contemporary
Becoming Universal Part 2: How does Apocalypse en Lilas, Capriccio (1945-1947) engage with the contemporary metanarrative of the Holocaust?
Known as the quintessential Jewish artist of the twentieth century, Russian-French artist Marc Chagall was raised in the Hasidic Jewish tradition. His religious
Becoming Universal Part 3: In what days does the Nous Ne Sommes Pas le Derniers series (1970-1990) engage with the contemporary metanarrative of the Holocaust?
By the time Zoran Mušič was working on his series in the 1970s, a shift in societal norms had taken place. Mušič was an artist
Upon entering the term ‘Holocaust’ into Google in May 2020 the reader will be confronted with 93 million results in 0.40 seconds. This