• About
  • Blog
  • Projects
  • Courses
  • Members Area
    • Gallery
    • Forums
    • Learning Portal

    Shopping Cart

    No products in the basket.

    Sign in Sign up
    • About
    • Blog
    • Projects
    • Courses
    • Members Area
      • Gallery
      • Forums
      • Learning Portal

    • Log In
    • Register
    • Activity Feed
    • Shop

    Author: Malina

    How and why have artists since the 1960s criticised the museum?

    How and why have artists since the 1960s criticised the museum?

    The post-world War II era witnessed the emergence of a counter-cultural movement, which started in the 1960s in the United Kingdom and then spread to…

    Malina February 27, 2021
    0 Comments
    Becoming Universal Part 5: A Conclusion

    Becoming Universal Part 5: A Conclusion

    This study has shown that the visual responses to the Holocaust that have been discussed are by no means purely mimetic or testimonial, aspects which…

    Malina November 8, 2020
    0 Comments
    Becoming Universal Part 4: In what ways do the paintings discussed contribute to the emergence of the metanarrative of the Holocaust?

    Becoming Universal Part 4: In what ways do the paintings discussed contribute to the emergence of the metanarrative of the Holocaust?

    1. Marc Chagall’s symbolic use of Christian iconography. The previous two chapters have explored the ways in which these paintings challenge and reflect the contemporary…

    Malina November 8, 2020
    0 Comments
    Becoming Universal Part 2: How does Apocalypse en Lilas, Capriccio (1945-1947) engage with the contemporary metanarrative of the Holocaust?

    Becoming Universal Part 2: How does Apocalypse en Lilas, Capriccio (1945-1947) engage with the contemporary metanarrative of the Holocaust?

         Known as the quintessential Jewish artist of the twentieth century, Russian-French artist Marc Chagall was raised in the Hasidic Jewish tradition. His religious…

    Malina November 8, 2020
    0 Comments
    Becoming Universal Part 3: In what days does the Nous Ne Sommes Pas le Derniers series (1970-1990) engage with the contemporary metanarrative of the Holocaust?

    Becoming Universal Part 3: In what days does the Nous Ne Sommes Pas le Derniers series (1970-1990) engage with the contemporary metanarrative of the Holocaust?

    By the time Zoran Mušič was working on his series in the 1970s, a shift in societal norms had taken place. Mušič was an artist…

    Malina November 8, 2020
    0 Comments
    Becoming Universal Part 1: An Introduction

    Becoming Universal Part 1: An Introduction

         Upon entering the term ‘Holocaust’ into Google in May 2020 the reader will be confronted with 93 million results in 0.40 seconds. This…

    Malina November 8, 2020
    0 Comments

    Follow us on Instagram

    Follow on Instagram
    Back to the Top
    Twitter Linkedin Facebook Instagram

    2021 – All Access Arts. All rights Reserved

    • Sitemap
    • Terms of Service
    • Privacy Policy
    Menu
    • Sitemap
    • Terms of Service
    • Privacy Policy

    Report

    Harassment or bullying behavior
    Contains mature or sensitive content
    Contains misleading or false information
    Contains abusive or derogatory content
    Contains spam, fake content or potential malware

    Block Member?

    Please confirm you want to block this member.

    You will no longer be able to:

    • See blocked member's posts
    • Mention this member in posts
    • Invite this member to groups
    • Message this member
    • Add this member as a connection

    Please note: This action will also remove this member from your connections and send a report to the site admin. Please allow a few minutes for this process to complete.

    Report

    You have already reported this