No Entry. Unless?
Three places in the world steeped in history that you may never get to enter. An armchair art historian is defined as one who travels
September 17, 2020
Menu
Art
Pt VI: Hammershøi – The Divine in the Ordinary
TO CONCLUDE Thus, we can see Lutheran spirituality is present in Hammershøi’s work, to a great extent. His art is grounded in the
September 17, 2020
Art
Pt V: Hammershøi – The Divine in the Ordinary
ON INTIMACY The final way in which Lutheran spirituality is present in Hammershøi’s work is in the intimate privacy depicted. This privacy is
September 17, 2020
Art
Pt IV: Hammershøi – The Divine in the Ordinary
ON SILENCE In order to understand the Lutheran impact of silence on Hammershøi’s work, we must turn our eyes to the Protestant theologian
September 17, 2020
Art
Pt III: Hammershøi – The Divine in the Ordinary
ON LIGHT Although Hammershøi’s paintings have been described as both spiritual and transcendental, they should more precisely be seen as displaying a Lutheran
September 17, 2020
Art
Pt II: Hammershøi – The Divine in the Ordinary
ON AESTHETICS Firstly, it is important to understand how Hammershøi arrived at the aesthetic he used. A unique aesthetic is not independent of
September 17, 2020
Art
Pt I: Hammershøi – The Divine in the Ordinary
A SHORT INTRODUCTION The question of the extent of Lutheran spirituality’s presence in Vilhelm Hammershøi’s (1864-1916) art is one that has to
September 17, 2020
Art
Jutai Toonoo: A Sense of Self
A look into the self portraiture of the Late Jutai Toonoo (1959–2015) The late Jutai Toonoo is renowned for his carvings and drawings depicting his
September 10, 2020
Art
Barkley Hendricks: Brown Sugar “Cool”
“Cool.” To many, this is an everyday phrase we use when we find something or someone good or agreeable. To describe a thing or idea
September 9, 2020